Writing about fine art photography — the work, the craft, the ideas behind the prints, and the case for wildness.
Essays on collecting, field stories from Africa and beyond, and what it means to make photographs that last.
Iceland is the only place where I have photographed landscapes without animals and felt like I was photographing something alive. This is the story of The Land of Ice — and why black and white was never a choice. It was an instinct.
The Maasai Mara is one of the most photographed landscapes on Earth. This is not a travel story. It is the story of a project — what I went looking for, what I found instead, and what six photographs from one trip in Kenya taught me about making art.
The fine art print world is full of terminology that sounds impressive and means very little unless someone explains it honestly. A working photographer translates the jargon into plain language.
